Baroque Art Essay Example | Topics and Well Written Essays - 750 words

Baroque Art - Essay Example Whereas it is sometimes the case that a sculpture or is also skilled with the use of oil and canvas, this was especially true with regards to Geon Lorenzo Bernini. Tying in with the discussion and analysis of the means by which many of the Baroque artists were sponsored and promoted by the Catholic Church, Bernini is an especially good example of this. Rising rapidly among the ranks of the many artists of the time, Bernini soon attracted the attention of the papacy who commissioned him to perform several works of art. Blown away by his skill and prowess, both on canvas and with marble, Bernini became something of an artist of court for several successive popes. With such a notion in mind, it is easier to analyze the implied meaning and means by which bring me the expressed strong overt and subliminal religious tones within â€Å"The Ecstasy of St. Theresa† (Wilkin 31). Many scholars have considered this particular sculpture to be the beginning of high Roman Baroque art. In eff ect, even the casual observer can note the means by which the sculpture approach rates how the divine is interacting with the earthly via a theatrical mechanism. This in truth and into the affairs of men create something of a sensual, some even say orgasmic, juxtaposition of both the divine and human. However, rather than understanding the sculpture in too much of a temporal mindset, it was doubtless Bernini’s intention to express the pure joy and bliss that mankind could achieve when in communion with the divine. Although thematic elements between Bernini and Michelangelo Merisi da Caravaggio, represented within his artwork entitled â€Å"The Crucifixion of St. Peter†, are quite disparate, the reality of the matter is that the ideas represented and discussed are both highly spiritual in nature. At first glance, the reader can note the fact that a painstakingly detailed and imaginative oil painting of the crucifixion of St. Peter is displayed. Beyond the fact that St. Peter is obviously the only face within the portrait that can be seen, beyond the fact that St. Peter’s body, although supposedly aged at the time it is crucifixion, is unbelievably toned muscular, the viewer is also illustrated with the subliminal understanding that the weight of this crucifixion, both physical and mental, ways most heavily upon the perpetrators. As can be noted from an examination of the painting, it requires three strong young men to carry the body of an agent St. Peter to his final crucifixion (Marcussen 75). Each and every one of them are weighed down event under the heft of both